Annukka Pykäläinen Back The performance was built in Teatria – former factory hall size 900m2. The passage to the stage area was narrow and the roof was made out of book pages and letters. To the stage area opened massive wooden gates. Basis for the designing was to place the spectator inside of a variable space and alter the space from secure to unprotected, the specators experience from large to small and to change the earthly stage resemble the timeless sky. In the materials and constructions there was a distinct aim to be able to vary them by using light. The new walls were built around the stage and auditoriums. The wall was unite with the wall behind the stage and formed a limited safe interior. The walls were made out of paper. They were made transparent by using paint, oil and varnish. By using the transparent walls the stage turned into unlimited exterior. The safe and bordered interior altered by light into a dangerous limit state and was constantly changing. The stage was built in the middle of the hall in a form of wedge. The audience was split in two facing each other sides. The stage was lifted and it could be lid from below thus making the steel and brick floor weightless. On the back wall of the stage was a huge window. In the beginning it was covered with a silk curtain. Being airy and bright it limited the interior on the stage. When the war was closing the wind lifted the curtain into a storm. When the curtain falled it unveiled the window. Behind the window was a gigantic machine and its wheels. The gigantic macine altered tha scale on the stage. It also defined a new interior when the mutiny spred and the workers conquered the fabric. The macine was mechanical and in the middle of the terror it was started. It was still moving when the war faded and the stage was washed from the stains.